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Jingle
This jingle is used in my CH videos. Occasionally, it's used as a leitmotif in other compositions of mine.
Works featured in: None, so far
Ocean Commotion
I had a hard time coming up with this one, so I decided to put it off
and work on Ethereal Intrigue instead. I remember that it originally had
a very peculiar pitched tom-tom solo section in it. Ultimately, I
decided that it was too corny and later removed it.
The bridge section was originally conceived as a separate work, but I was able to join that and the rest of the song together. The outro is particularly cool to me because of the melody. I was also able to use the arpeggiated guitar part from the bridge there, which is another huge plus for me.
The goal of this song was to invoke a sense of fun and bit of drama. Hopefully you got that out of it.
Works featured in: CH Softcore Collaboration 2
The bridge section was originally conceived as a separate work, but I was able to join that and the rest of the song together. The outro is particularly cool to me because of the melody. I was also able to use the arpeggiated guitar part from the bridge there, which is another huge plus for me.
The goal of this song was to invoke a sense of fun and bit of drama. Hopefully you got that out of it.
Works featured in: CH Softcore Collaboration 2
Ethereal Intrigue
This was the first song that I ended up completing for CH Softcore
Collaboration 2. It is a very unique composition amongst my repertoire. I
wanted to invoke a very thought provoking and mysterious sunset vibe --
almost ghastly in nature, hence the title.
For those who're interested in knowing, this song was heavily inspired by Mega Man X5's Dark Necrobat Stage music. The inclusion of slap bass and a powerful snare drum sound, in particular, can be attributed to it.
I had a lot of fun writing the synth sawtooth solos. Since this song was primarily lacking in melodies, I felt it necessary to include an extended solo section. As per usual, I duplicated the synth solo channel, delayed it slightly, pitch bent it, and attenuated it subtly in order to create a sense of depth and airiness.
The outro originally faded out, but for practical reasons, I decided against it in the end.
Works featured in: CH Softcore Collaboration 2
For those who're interested in knowing, this song was heavily inspired by Mega Man X5's Dark Necrobat Stage music. The inclusion of slap bass and a powerful snare drum sound, in particular, can be attributed to it.
I had a lot of fun writing the synth sawtooth solos. Since this song was primarily lacking in melodies, I felt it necessary to include an extended solo section. As per usual, I duplicated the synth solo channel, delayed it slightly, pitch bent it, and attenuated it subtly in order to create a sense of depth and airiness.
The outro originally faded out, but for practical reasons, I decided against it in the end.
Works featured in: CH Softcore Collaboration 2
Seductive Sandstorm
This song almost never existed, had the deadline for CH Softcore
Collaboration 2 not been extended. I wanted to test my boundaries a
little with this one, and decided to give the song an overall Middle
Eastern vibe.
The synth sections were ferocious, like a sandstorm. I inserted some guitar solos because my epic quota wasn't being met. Yeah, I know. They sound like something you'd hear on a SNES title, but I kind of find that charming. All around, I'm really proud of this one.
Works featured in: CH Softcore Collaboration 2
The synth sections were ferocious, like a sandstorm. I inserted some guitar solos because my epic quota wasn't being met. Yeah, I know. They sound like something you'd hear on a SNES title, but I kind of find that charming. All around, I'm really proud of this one.
Works featured in: CH Softcore Collaboration 2
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